Friedrich Georg Wilhelm Christoph
Dec. 19, 1911 – Apr. 20, 1966
I'm about convinced Prussia must have been the gayest country in Europe. I've written about Frederick the Great (link to post in sidebar) and Baron von Steuben (likewise in sidebar, and we'll get back to him in a bit*), and today we have Prince Friedrich of Prussia. He was a member of the German House of Hohenzollern, which never relinquished its claims to the throne of Prussia and the German Empire after they were abolished and replaced by the Weimar Republic in 1918. Educated at Cambridge University in England, Prince Friedrich settled in Britain in his late twenties just before war broke out in 1939. He became a British citizen, living in England as George Mansfield. For a time interned in Canada, he was able to return to England. However, in the 1950s he resumed his German titles, and to this day his descendants use the surname “von Preussen” (of Prussia).
He came to a mysterious end. Two weeks after he was reported missing in 1966, Friedrich’s body was recovered from the Rhine River, and it could not be determined whether he committed suicide or died accidentally. He was 55 years old. At that time his wife, Lady Brigid Guinness (heiress to the great brewing fortune), was living openly with Major Anthony Ness, whom she married in 1967, after Friedrich's death.
Lady Guinness had cause to be living with another man. Prince Friedrich had tempestuous, painful affairs and encounters with handsome young men. He was also notoriously unstable and caused his family much suffering. Friedrich did not choose his friends wisely. He was a close friend of the infamous Sir Henry "Chips" Channon (photo at end of post), who was married to Lady Honor Guinness, the older sister of Prince Friedrich's long-suffering wife, Lady Brigid Guinness, who died in 1995. Why both these attractive, fabulously wealthy women each married a gay man is a mystery.
Chicago-born Channon also became a naturalized British citizen, and he regarded America and its citizens with disdain. He was a promiscuous homosexual who made no effort to conceal it, and his wife, Lady Honor Guinness, finally left him. His published diaries are quite a revelation of scandalous self-serving behavior, even in their expurgated form. Channon was somewhat reviled as a poseur and social climber who cruelly exploited his wife.
In 1939 Channon met the landscape designer Peter Daniel Coats (nicknamed “petticoats”), with whom he began an affair that led to Channon's divorce. Among others with whom he is known to have had affairs was the playwright Terence Rattigan, the Duke of Kent (who resided next door to Channon on Belgrave Square in London) and Prince Paul of Yugoslavia. Chips named his only son Paul, and Terence Rattigan dedicated his play, The Winslow Boy, to Channon’s son.
Well, honestly.
All the while the two Guinness sisters – young, beautiful and exceedingly rich – were providing ready cash for the fortune hunters Prince Friedrich and Sir Channon. With facts such as these, who needs fiction?
The dashing and indiscreet Chips Channon:
*Sometimes I am nearly rendered speechless by a weird coincidence. I had made a post to this blog about Baron von Steuben, the Prussian military officer who trained our fledgling nation’s ragtag troops at Valley Forge at the request of George Washington. Steuben was also an unapologetic pederast who was nevertheless honored by our nation with citizenship, titles, land grants and a lifetime pension by our grateful government (see post on Baron von Steuben in sidebar). My post included an unattributed portrait of Steuben, since it was the only image of the man available on the Internet.
Imagine my surprise when I was visiting the Brandywine River Museum in Chadds Ford, Pa., yesterday morning and entered a gallery in which the first painting I encountered was the very same portrait of Baron von Steuben I had included in my blog entry. Had I not researched von Steuben for this blog I would likely have walked right past this portrait, since I was seeking out Jamie Wyeth’s famous paintings of a pig and raven. A mother leaned down to her young son, who was admiring the von Steuben portrait, and told him that von Steuben was “the guy who straightened out our Revolutionary War troops.” Poor choice of words.
In reading the portrait’s descriptive placard I learned that the painter was Ralph Earl, the famous portraitist born in Massachusetts in 1751. Due to his “sympathies for the British,” Earl was forced to leave the country at the start of the American Revolution. Deserting his wife and two children, he traveled to England for seven years, where he married again without having been divorced. After his return to the U.S., Earl was sent to debtor's prison for failure to repay loans. He earned his freedom by painting portraits of prominent New York members of the Society for the Relief of Distressed Debtors (who knew?). Upon his release, Earl began a successful career as an itinerant portrait painter. Traveling around new England, he painted notables of the Revolutionary War and prominent citizens in their natural surroundings, many shown in regional landscapes depicting the subjects’ newly built houses and opulent furnishings.
Ralph Earl spent the last two years of his life in Bolton, Connecticut, in the home of Dr. Samuel Cooley. Earl’s death was caused by alcoholism at the age of 50. In 1935 a stone in Earl’s memory was placed in the Bolton Center Cemetery by the Connecticut Antiquary. The memorial even mentions his famous 1786 portrait of Baron von Steuben.
Role models of greatness.
Here you will discover the back stories of kings, titans of industry, stellar athletes, giants of the entertainment field, scientists, politicians, artists and heroes – all of them gay or bisexual men. If their lives can serve as role models to young men who have been bullied or taught to think less of themselves for their sexual orientation, all the better. The sexual orientation of those featured here did not stand in the way of their achievements.
Thursday, December 29, 2011
Sunday, December 25, 2011
Saturday, December 24, 2011
Cyril Collard, French Polymath
The “Découverte d’une oeuvre” series was launched by the Musée d’Orsay in Paris in the late 1980s in an effort to make its holdings known to those who would otherwise not likely visit the museum. They chose the medium of television and proposed 5-minute audiovisual interpretations of several of its paintings, each produced by a team made up of a choreographer, a composer and a director. Among the first works was Les raboteurs (The Floor Scrapers, 1988; 7 minutes, clip at end of post) directed by Cyril Collard (1957-1993), from the painting of the same title by Gustave Caillebotte (1875, shown above). The film was a choreography about the floor scrapers, their movements and sounds amid an all-pervasive emptiness. The idea was fully rooted in what was known as video dance: the dancers danced and the camera with them, while at different moments details of the painting appeared.
Openly bisexual Collard abandoned his studies in mathematics and physics and moved to Puerto Rico, where he began to write and develop other interests such as film and video production. He was a singer, actor, director, author, composer and film maker. He formed CYR, a music group that produced a few albums, and worked as an assistant director on several of Maurice Pialat's films. Collard shot documentaries for television and produced video clips.
His second novel, the powerful “Les nuits fauves” (Savage Nights, 1989), thoroughly examined his bisexuality and his defiant, unrealistic and irresponsible perception and handling of his HIV-positive status. The movie version was released in 1992 with Collard himself playing the protagonist, a hedonistic and self-important film maker with an insatiable sexual appetite who insists on living his prurient lifestyle to the absolute hilt despite his HIV status, with tragic consequences. This bleak, uncompromising piece both enraptured and enraged the French audience. Critics applauded his braveness and controversial approach to such a taboo subject. With Savage Nights, Collard became the first artist ever to be nominated for the three top categories of the French Cesar Awards – Best Film, Best Director and Best First Film. Tragically, Collard died at age 35 from AIDS, just three days before the César awards ceremony.
The painting “Les raboteurs de parquet” (1875) is typical of Gustave Caillebotte's taste for unusual perspectives and scenes from modern life, including so humble an occupation as floor scraping. The 40" x 57" oil on canvas is on permanent display at the Musee d'Orsay in Paris.
Here is Collard's video interpretation of the painting:
Labels:
Actor,
Author,
Composer,
Cyril Collard,
Director,
Film maker,
Singer
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