Role models of greatness.
Here you will discover the back stories of kings, titans of industry, stellar athletes, giants of the entertainment field, scientists, politicians, artists and heroes – all of them gay or bisexual men. If their lives can serve as role models to young men who have been bullied or taught to think less of themselves for their sexual orientation, all the better. The sexual orientation of those featured here did not stand in the way of their achievements.
Wednesday, June 15, 2016
Earl Kage and Hamilton Driggs
Out in the office place at Eastman Kodak (Rochester)
By the 1950s the Eastman Kodak Company (Rochester, NY) had a number of gay male employees who, although not "out" by today’s standards, did not keep their sexual orientation secret. Two examples were Earl Kage (1919-2008) and his partner, Hamilton “Bud” Driggs (1925-2008), who shared a home on Lafayette Park and a 100-acre country estate in the Bristol Hills, both in the Rochester area. After their deaths in 2008, the estate was donated to the University of Rochester.
Kodak photographer and arts patron Earl Kage (photo above) was a one man cultural institution in his native Rochester. Distinguished by his pure white handlebar moustache, he was recognized as a sponsor of opera, dance, fine arts and numerous other cultural institutions. He worked at Eastman Kodak for 44 years, from youth to retirement. In 1987 he received the Culture and Arts Civic Award from the Rochester Chamber of Commerce, and in 1989 a Lifetime Achievement Award from the Arts and Cultural Council. Kage became head of Kodak Camera Research after attending The University of Rochester and serving in the U.S. Army in England during World War II as a photographer for the Stars and Stripes newspaper.
His dedication to the arts resulted in his serving on boards of the Friends of Eastman Opera, Garth Fagan Dance Company, the Rochester City Ballet, The Aesthetic Education Institute, Friends of School of the Arts and affiliations with the George Eastman House of International Photography, Rochester Children's Theater and the Rochester Philharmonic Orchestra. He often served as a judge for many art-related shows over the years.
Hamilton “Bud” Driggs worked for Eastman Kodak for 30 years as head of Exhibits and Displays, following employment at the Atomic Labs at the University of Rochester. He assisted Kage in setting up a photographic studio in Rochester. Driggs was also a talented silversmith who won prizes for his craft work. A professional photographer, he recorded his travels to such remote spots as the Arctic Circle, Nepal and New Guinea. Both Driggs and Kage enjoyed an atmosphere of acceptance while working at Eastman Kodak.
In fact, some historians purport that George Eastman (1854-1932), the father of modern photography and founder of the Eastman Kodak Company, was himself a gay man. In the late 19th century homosexuality was a major taboo, so Eastman never went public with his sexual orientation. However, his private correspondence of over 700 letters and general accounts of Eastman’s personal life confirm that he was not heterosexual. Eastman was a generous philanthropist, and he established and supported the Eastman School of Music, one of the nation’s preeminent institutions of music. During the 1920s, Eastman was listed as the fifth-largest individual donor in the United States, and by his death he had given away about $100 million. His total donations to the University of Rochester totaled $50 million. Using the name "Mr. Smith," Eastman gave $20 million to the Massachusetts Institute of Technology (MIT) over many years. He also donated to several colleges for African Americans. At the onset of a nerve disorder and general failing health, Eastman took his own life with a pistol in 1932.
Thursday, May 26, 2016
Carl Austin-Behan, Lord Mayor of Manchester
Last week openly gay Carl Austin-Behan was sworn in as the new Lord
Mayor of Manchester, a city in northwest England. Manchester is the
second most populous English city after London. Austin-Behan made
history not only for being Manchester’s first openly gay Lord Mayor in
the position’s 124-year history, but at 44 years old he is also the
youngest.
Carl Austin (he has used a hyphenated surname only since his marriage last year) had recently built a career as a Labour Party councillor on the Manchester City Council and was named earlier this year as that party’s choice to be the city’s new ceremonial Lord Mayor. Prior to entering politics, he had served as a firefighter in the Royal Air Force, from which he was discharged in 1997 for being homosexual (the discriminatory ban was lifted in 2000). Nevertheless, during his time in the RAF, Mr. Austin was awarded the Good Show Award for Bravery, The Royal Humane Society Bronze Award for rescuing a pilot from a burning Hawk Aircraft, and a special mention in the Queen’s Birthday Honours List (1996) with a Commander in Chief’s Commendation. After his discharge he entered the Greater Manchester Fire Service. Shortly thereafter he won the title of Mr. Gay UK in 2001 (photo below) during which time he was working as an events manager.
He told the Manchester Evening News: “I thought it was time we had an openly gay Lord Mayor. We have already had different races and cultures doing it, so this is a recognition of the LGBT community.” Manchester is known for its large gay population and social culture. The city has hosted an annual gay pride event since 1991.
Last year the new Lord Mayor married Simon Behan, his partner of 12 years, and they are currently in the process of seeking to adopt a child. Officially, Simon Austin-Behan is referred to as "The Lord Mayor's Consort." Carl told reporters that he will not be wearing the traditional uniform of black and grey trousers sported by previous Lord Mayors, and he commented that he has only one white shirt in his wardrobe. “I want people to feel like they can relate to the Lord Mayor.”
Note from your blogger: In the United Kingdom “Lord Mayor” is the title of the ceremonial mayor of a major city with special recognition bestowed by the sovereign, in this instance Queen Elizabeth. The proper style of address for the office is “The Right Worshipful the Lord Mayor of Manchester.” I kid you not.
For an extended bio, click on this link to visit the official web site of Manchester's Lord Mayor:
http://www.manchester.gov.uk/info/200033/councillors_and_decision-making/1158/the_lord_mayors_office
So there you have it.
Monday, March 21, 2016
Guido Westerwelle
Germany's former Foreign Minister, Guido Westerwelle, died from leukemia last Friday at age 54. As vice chancellor (2009-2011) he was the first openly gay man to hold high office in Germany. He “came out” when he attended Angela Merkel’s 50th birthday party with his male partner, Michael Mronz. They entered into a civil partnership in 2010. In a recent statement on the Westerwelle Foundation website, the couple said they were "thankful for an unbelievably good time together. Love remains."
Westerwelle, a former chairman of the Free Democratic Party (FDP), saw his party form a coalition with Angela Merkel’s government. He went on to serve as a deputy in her cabinet. A lawyer by profession, Westerwelle was a member of the Bundestag (Germany’s parliament) from 1996-2013.
Among the controversies that peppered his political career, Westerwelle announced in 2010 that he would not be taking his civil partner Michael Mronz along with him to countries with anti-gay policies. Other official trips as foreign minister, however, included Mronz, who is an events manager.
Guido Westerwelle became ill with leukemia just months after leaving government in 2014. His last public appearance was in November, 2015, when he was promoting his book about his battle with acute blood cancer, “Between Two Lives.”
Westerwelle with partner Michael Mronz:
Westerwelle, a former chairman of the Free Democratic Party (FDP), saw his party form a coalition with Angela Merkel’s government. He went on to serve as a deputy in her cabinet. A lawyer by profession, Westerwelle was a member of the Bundestag (Germany’s parliament) from 1996-2013.
Among the controversies that peppered his political career, Westerwelle announced in 2010 that he would not be taking his civil partner Michael Mronz along with him to countries with anti-gay policies. Other official trips as foreign minister, however, included Mronz, who is an events manager.
Guido Westerwelle became ill with leukemia just months after leaving government in 2014. His last public appearance was in November, 2015, when he was promoting his book about his battle with acute blood cancer, “Between Two Lives.”
Westerwelle with partner Michael Mronz:
Thursday, February 18, 2016
Pierre Boulez
Mr. Boulez in 1971.
Photo by Larry Morris
When the great French composer, conductor and pianist Pierre Boulez (1925-2016) died at the age of 90 at his home in Baden Baden last month, there was much Internet chatter about his sexual orientation. Obituaries in major newspapers and journals mentioned that Boulez was “tightly guarded” about his personal life, but music critic Norman Lebrecht, who knew him for decades, stated that Mr. Boulez was gay. Boulez was extremely closeted, often introducing Hans Messner, his German lover of more than fifty years, as his “valet.” That Boulez (the “z” is not silent) was homosexual was one of the music world’s worst kept secrets.
Mr. Boulez enjoyed a first tier international career, holding conducting positions in France, Germany, Austria, Switzerland, England and the United States, and his numerous recordings earned him twenty-six Grammy Awards. Boulez did not use a baton, using only his hands to conduct, in the fashion of Dimitri Mitropoulos, Leopold Stokowski and fellow Frenchman Georges Prêtre.
As an opera conductor, Pierre Boulez was most famously associated with Bayreuth, conducting Parsifal and the Ring Cycle. In Paris he founded the Institut de Recherche et Coordination Acoustique/Musique (IRCAM) at the Centre Pompidou and the Ensemble Intercontemporain (EIC). In the United States he was conductor of the Cleveland Orchestra, Chicago Symphony and the New York Philharmonic and was composer-in-residence at Carnegie Hall (1999-2003).
As a composer, he was a champion of the avant-garde, writing atonal, electronic and serial music, although in later years composition took a back seat to conducting. He championed twentieth century composers, programming major works by Berg, Mahler, Debussy, Schoenberg, Stravinsky, Bartok, Webern and Varèse.
After a 2012 eye operation left him with impaired vision, he cancelled conducting engagements, and a shoulder injury from a fall kept him from attending the many 90th birthday celebrations held throughout the world in 2015. Both Columbia Records and Deutsche Grammophon issued limited edition box sets (67 CDs and 44 CDs, respectively) of his recordings in honor of his 90th birthday. Last month BBC Four broadcast an hour-long documentary, “Pierre Boulez at the BBC: Master and Maverick.”
Photo by Larry Morris
When the great French composer, conductor and pianist Pierre Boulez (1925-2016) died at the age of 90 at his home in Baden Baden last month, there was much Internet chatter about his sexual orientation. Obituaries in major newspapers and journals mentioned that Boulez was “tightly guarded” about his personal life, but music critic Norman Lebrecht, who knew him for decades, stated that Mr. Boulez was gay. Boulez was extremely closeted, often introducing Hans Messner, his German lover of more than fifty years, as his “valet.” That Boulez (the “z” is not silent) was homosexual was one of the music world’s worst kept secrets.
Mr. Boulez enjoyed a first tier international career, holding conducting positions in France, Germany, Austria, Switzerland, England and the United States, and his numerous recordings earned him twenty-six Grammy Awards. Boulez did not use a baton, using only his hands to conduct, in the fashion of Dimitri Mitropoulos, Leopold Stokowski and fellow Frenchman Georges Prêtre.
As an opera conductor, Pierre Boulez was most famously associated with Bayreuth, conducting Parsifal and the Ring Cycle. In Paris he founded the Institut de Recherche et Coordination Acoustique/Musique (IRCAM) at the Centre Pompidou and the Ensemble Intercontemporain (EIC). In the United States he was conductor of the Cleveland Orchestra, Chicago Symphony and the New York Philharmonic and was composer-in-residence at Carnegie Hall (1999-2003).
As a composer, he was a champion of the avant-garde, writing atonal, electronic and serial music, although in later years composition took a back seat to conducting. He championed twentieth century composers, programming major works by Berg, Mahler, Debussy, Schoenberg, Stravinsky, Bartok, Webern and Varèse.
After a 2012 eye operation left him with impaired vision, he cancelled conducting engagements, and a shoulder injury from a fall kept him from attending the many 90th birthday celebrations held throughout the world in 2015. Both Columbia Records and Deutsche Grammophon issued limited edition box sets (67 CDs and 44 CDs, respectively) of his recordings in honor of his 90th birthday. Last month BBC Four broadcast an hour-long documentary, “Pierre Boulez at the BBC: Master and Maverick.”
Tuesday, February 9, 2016
Roger Edens
Multi-talented Roger Edens (1905-1970) was a key player in the creation of classic MGM musicals from the Golden Age of Hollywood. Edens was a part of Arthur Freed’s production unit derisively called “Freed's Fairies”: director George Cukor, prop master Edwin Willis and Roger Edens (although Freed himself was not gay). Edens brought a unique combination to MGM's movie musicals as an arranger, songwriter, musical supervisor, composer and producer.
Although born in Texas, Edens grew up in Richmond, VA. He worked as a pit pianist in NYC during the 1920s. When Ethel Merman’s pianist left Girl Crazy in 1932, Edens was hired as his replacement. Merman was so impressed that she hired Edens as pianist/arranger for her nightclub act and brought him to Hollywood; but when Merman returned to Broadway, Edens stayed on in Los Angeles. Hired by MGM as Arthur Freed’s musical supervisor and associate producer, he became part of the legendary "Freed Unit", creating some of the finest ever Hollywood musicals: An American in Paris, Singin' in the Rain, Meet Me in St. Louis, Babes in Arms, Easter Parade, On the Town, Showboat, Royal Wedding and The Bandwagon.
At a time when known homosexuality was a death blow to a career in Hollywood, Edens managed to keep his under wraps. After a brief marriage ended in divorce, Edens appeared in public with his talented friend and co-worker Kay Thompson in an effort to throw others off the scent. Kay Thompson was a vocal arranger at MGM. By the time he worked with Judy Garland (shown in photo with Edens), he was living as a gay man.
Edens also appeared on screen opposite Eleanor Powell in a cameo role in Broadway Melody of 1936, and he continued to compose, score, and arrange MGM musicals throughout the 1940s. His most visible projects from this era included Easter Parade (1948), for which he earned an Academy Award; On the Town (1949), for which he wrote several new songs and won a second Academy Award; and Annie Get Your Gun (1950), for which he received his third Academy Award. During his career he was nominated eight times for an Academy Award.
Roger Edens became the musical mentor to Judy Garland and was an uncredited coach in almost all of her musical films. Because of his exclusive contract with MGM, Edens was not credited with Garland's “Born in a Trunk,” the landmark sequence in the Warner Brothers production of A Star Is Born (1954). Edens nurtured and established a creative relationship and friendship with Garland that would last for more than three decades.
Photo at right: Audrey Hepburn, Richard Avedon, director Stanley Donen, screenwriter Leonard Gershe and producer Roger Edens arriving in Paris to film Funny Face, 1956.
When MGM cut back on musical productions, Edens continued to work at other studios, producing Funny Face (1957) and Jumbo (1962) while breaking into television work. His final screen assignment was as associate producer of Hello, Dolly! (1969), directed by Gene Kelly. Edens coached Katherine Hepburn for her Broadway musical stage debut in Coco (1969).
A year later Roger Edens died of lung cancer at the age of 64. He was interred in a columbarium at Westwood Memorial Park’s Sanctuary of Remembrance, a resting place for Hollywood royalty in Los Angeles (just off Wilshire Boulevard, east of I-405 [San Diego Freeway]). His eternal neighbors include Eddie Albert, Burt Lancaster, Eve Arden, Fanny Brice, Janet Leigh, Sammy Cahn, Jack Lemmon, Truman Capote, Oscar Levant, Eva Gabor and Merv Griffin (and on and on). Not to mention Natalie Wood, Marilyn Monroe and Billy Wilder.
Although born in Texas, Edens grew up in Richmond, VA. He worked as a pit pianist in NYC during the 1920s. When Ethel Merman’s pianist left Girl Crazy in 1932, Edens was hired as his replacement. Merman was so impressed that she hired Edens as pianist/arranger for her nightclub act and brought him to Hollywood; but when Merman returned to Broadway, Edens stayed on in Los Angeles. Hired by MGM as Arthur Freed’s musical supervisor and associate producer, he became part of the legendary "Freed Unit", creating some of the finest ever Hollywood musicals: An American in Paris, Singin' in the Rain, Meet Me in St. Louis, Babes in Arms, Easter Parade, On the Town, Showboat, Royal Wedding and The Bandwagon.
At a time when known homosexuality was a death blow to a career in Hollywood, Edens managed to keep his under wraps. After a brief marriage ended in divorce, Edens appeared in public with his talented friend and co-worker Kay Thompson in an effort to throw others off the scent. Kay Thompson was a vocal arranger at MGM. By the time he worked with Judy Garland (shown in photo with Edens), he was living as a gay man.
Edens also appeared on screen opposite Eleanor Powell in a cameo role in Broadway Melody of 1936, and he continued to compose, score, and arrange MGM musicals throughout the 1940s. His most visible projects from this era included Easter Parade (1948), for which he earned an Academy Award; On the Town (1949), for which he wrote several new songs and won a second Academy Award; and Annie Get Your Gun (1950), for which he received his third Academy Award. During his career he was nominated eight times for an Academy Award.
Roger Edens became the musical mentor to Judy Garland and was an uncredited coach in almost all of her musical films. Because of his exclusive contract with MGM, Edens was not credited with Garland's “Born in a Trunk,” the landmark sequence in the Warner Brothers production of A Star Is Born (1954). Edens nurtured and established a creative relationship and friendship with Garland that would last for more than three decades.
Photo at right: Audrey Hepburn, Richard Avedon, director Stanley Donen, screenwriter Leonard Gershe and producer Roger Edens arriving in Paris to film Funny Face, 1956.
When MGM cut back on musical productions, Edens continued to work at other studios, producing Funny Face (1957) and Jumbo (1962) while breaking into television work. His final screen assignment was as associate producer of Hello, Dolly! (1969), directed by Gene Kelly. Edens coached Katherine Hepburn for her Broadway musical stage debut in Coco (1969).
A year later Roger Edens died of lung cancer at the age of 64. He was interred in a columbarium at Westwood Memorial Park’s Sanctuary of Remembrance, a resting place for Hollywood royalty in Los Angeles (just off Wilshire Boulevard, east of I-405 [San Diego Freeway]). His eternal neighbors include Eddie Albert, Burt Lancaster, Eve Arden, Fanny Brice, Janet Leigh, Sammy Cahn, Jack Lemmon, Truman Capote, Oscar Levant, Eva Gabor and Merv Griffin (and on and on). Not to mention Natalie Wood, Marilyn Monroe and Billy Wilder.
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