2019
is the 400th anniversary of the birth of Johann Rosenmüller
(1619-1684), an important baroque composer of instrumental and sacred vocal
music in Germany and Italy at the middle of the seventeenth century. He was an
organist, trombonist, teacher and composer who survived a homosexual scandal in
Leipzig and escaped to Italy, where he resurrected a major career in Venice.
After
graduating from the University of Leipzig, he became the assistant to the Thomasschule
Cantor (director of music). Working his way up, he was next appointed organist
at the Nicolaikirche, one of the three important churches in the city. As his
boss became increasingly ill, Rosenmüller was assured he would be next in line
for the position of Cantor at the Thomasschule, the same position that Johann
Sebastian Bach would assume seventy years later. In 1655, however, Rosenmüller
was arrested on charges of seducing several of his choir boys; he subsequently escaped
from jail and fled to Venice, where he supported himself by playing trombone at
St. Mark’s Basilica.
Some
years later, he attained a position as maestro di coro (master of the chorus),
at the Ospedale della Pietà, an orphanage school that featured an acclaimed all-girl*
choir and orchestra that performed liturgical functions and gave concerts on
Sunday afternoons. A generation later Antonio Vivaldi famously directed the
musical activities at this orphanage school, elevating the female choir and
orchestra to world-wide fame, attracting many tourists. Today the Metropole
Hotel is the former music building, and guides point out (erroneously) that the
church to the left of the hotel was the church where Vivaldi’s girls performed.
In fact, the church was built many years after Vivaldi’s death.
*Many
of these girls were the illegitimate children of Venetian nobles, who lavishly
supported the school. The girls performed behind screens so that their “comeliness
would not distract those in attendance”. Your blogger surmises that a more
plausible cause might have been to hide any physical resemblance of the orphans
to their noble (actual) parents. Scandal!
Rosenmüller’s
sacred compositions reflected an obvious Italian influence, and students who
came from Germany to study with him took these works back to their homeland,
thus introducing Italian musician idioms to Germany. In 1682, considering that
the coast was clear after an interval of nearly 30 years, he left Italy and returned
to his homeland, Germany, where he became court composer for a duke at
Wolfenbüttel in Lower Saxony. He died there in 1684, at age 65. In the annals of
classical music history, Rosenmüller
is hardly a household word, but his name is frequently mentioned as the man who
held two posts eventually filled by much more famous men, J. S. Bach and
Antonio Vivaldi. Not to mention the well-documented homosexual scandal.
Sources:
Graeme
Skinner: “Who's Who in Gay and Lesbian History from Antiquity to World War II”.
Robert
A. Green, Professor at the School of Music, Northern Illinois University. GLBTQ
Archive.
Wikipedia