Aiden Shaw

British-born model, writer and former porn star Aiden Shaw (b. 1966) had a traditional upbringing in England. He came from respectability and has returned to it again, but there’s no ignoring that wild detour in the early 1990s when he established himself as a popular star of gay porn. What set him apart from his adult film peers was that he was a man of intellect.

Shaw made over 50 pornographic films, earning several industry awards along the way. He stood out from the pack of blonds and their smooth all-over-tanned bodies. Shaw didn’t shave his chest and obviously didn’t sunbathe in the nude – in fact, his sharply defined tan line became a trademark. He was further distinguished by his British accent, although his porn roles required limited use of his speaking voice. Shaw’s screen persona was that of a traditionally handsome natural man possessed of a spectacularly generous endowment (and a rose tattoo on his arm). In fact, his penis was as much discussed in the 1990s as international playboy Porfirio Rubirosa’s(*) was in the 1930s (we're all of us too young to remember – just Goggle him). Many of Shaw’s fans noticed a startling facial resemblance to Richard Gere (see photo below).

*OK, I've received numerous E-mails about this, so here's a hint. To this day in Paris, if a restaurant patron wants one of those tall wooden peppermills, he says, "Waiter, may I please have a Rubirosa?" I kid you not.

He became one of the most popular global adult male stars before retiring from the porn industry in 1999 (he was diagnosed HIV positive in 1997). Although a car accident brought a hiatus to his porn career – for a time he was paralyzed and in a wheelchair – he made a return with four more adult videos in 2003/2004.

Nevertheless, it is difficult to reconcile his current appearance as a classically handsome, mature man with salt and pepper hair and a beard with his actual age – 52. He looks years older, in a good way. Talk about aging gracefully.

He comes across as a confident, worldly man, the perfect type for promoting luxury goods. He has modeled for GQ Magazine in Berlin, Le Figaro and El Pais, as well as in other print venues. That his present appearance renders him nearly unrecognizable from his days as a porn star is surely to his advantage, although the rose tattoo is an identity giveaway.

Shaw has worked in diverse fields, as an editor of an interior design magazine, a poet, an HIV activist, vocalist, producer, escort, composer and writer. Print modeling is merely his latest career turn. He undertook formal studies in film, television, photography and video, subsequently taking post- college jobs directing and art directing music videos. Shaw wrote and produced two albums of music, performing lead vocals with his band "Whatever". Individual tracks are available on iTunes.

The first chapter of his autobiography, My Undoing: Life in the Thick of Sex, Drugs, Pornography and Prostitution (2006), begins: “All I could see were pretty shapes and colours, my dick going in and out of his white cheeks.” From his days as an escort, his comment on how to have sex with men who repulse him: “Well, the thing is, very few men physically repulse me. Like a good whore, I can always find something about a man that I like.”

From an interview with Daniel Lee in NYC in 2003:

DL: What makes you laugh hardest?
AS: Getting treated special because I have a big dick.

DL: Would you prefer not to be treated special because you have big dick?
AS: No way!

Well, there you have it.

Shaw’s writing is described by Michael Musto of The Village Voice as prose that “can tug at your heartstrings and your crotch at the same time.” His first novel, Brutal, appeared in 1996, the same year he published a collection of poems titled If Language at the Same Time Shapes and Distorts Our Ideas and Emotions, How Do We Communicate Love? (it sold out), followed by two more novels, Boundaries (1997) and Wasted (2001).

Shaw completed a master’s degree in Creative Writing in 2007 at Goldsmiths University of London, followed by publication of a second autobiography, Sordid Truths (2009). In 2011, Shaw completed training to become a qualified English teacher.

Shaw was recently profiled in the Spring/Summer 2012 issue of Hercules Universal – One Last Colony, the Havana Affair – in which he models luxury men’s clothing (click on link).

http://models.com/mdx/?p=14427

At present Mr. Shaw divides his time between residences in London and Barcelona. In 2016 he reverted to his birth name: Aiden Brady. Here is a sampling of his recent modeling work. You're welcome.

Ray Hill

1940-2018

Before Houston, TX, native Ray Hill became a galvanizing gay activist, he had been a Baptist evangelist and a convicted burglar who served four years in prison. Not a typo.

Mr. Hill, who died November 24,  was a larger-than-life character who said, "I was born to rub the cat hair the wrong direction." He described his occupation as a "journeyman-quality hell raiser, and on his business cards the words "Citizen Provocateur" were printed under his name. He partnered with San Francisco city supervisor Harvey Milk to organize the 1979 National March on Washington for Lesbian and Gay Rights. 80,000 activists showed up. But the second national march he helped organize drew more than 200,000 people in 1987, the largest gay rights demonstration in history.

A renowned radio broadcaster, he co-founded KPTF-FM in Houston, where he started a program on LGBTG issues. In 1980 Texas prisoners could not call home to speak to immediate family or close relatives. Although Hill lobbied for a 2007 state law allowing such, his prior efforts resulted in radio's "The Prison Show" with a call-in segment that allowed families to update inmates with greetings, family details and news of births and deaths and such trivialities as children's soccer game scores.

He bullied Anita Bryant in 1977 but campaigned for several female politicians, most notably Annise Parker, who became Houston's first gay mayor in 2010. But that's not all. When his sister died in an automobile accident in 1977, Mr. Hill raised her two children. In fact, his entire life became a legacy of service to others. 

After losing his left leg and right foot to diabetes, he resided at Omega House in Houston, a hospice center he helped establish in the 1980s. He had been hospitalized earlier this year with heart problems. His funeral was held yesterday on the steps of Houston's City Hall, where Mayor Sylvester Turner delivered a statement that called Mr. Hill a warrior in the fight for gay rights, human rights and criminal justice reforms.

Dirk Bogarde

Handsome British film actor Dirk Bogarde’s lawyer, Laurence Harbottle, said, “I share the view of every friend of his whom I have ever known – that Dirk’s nature was entirely homosexual in orientation.”

Well, there you have it.

Dirk Bogarde (1921-1999), who portrayed numerous gay and bisexual men on the screen, spent his entire career sublimating or denying his true sexual orientation. He wanted more than anything to be regarded as a straight leading man. He was called the British Rock Hudson for his good looks and appealing on-screen persona, but the two actors had more than beauty and acting style in common.   

English actor John Fraser wrote in his memoir, Close Up (2004):

“But (Dirk) could not accept, could not understand, and could not see when he watched his own performances, that he was effeminate.”

Bogarde aspired for an international film career, not one limited to British audiences. Yet he blamed the utter failure of his sole Hollywood film, Song Without End, in which he portrayed Hungarian pianist Franz Liszt, on anyone other than himself. He blamed his contract with the Rank Organization for limiting him to a long stream of British films, and he complained that he was grossly underpaid.

He was a gifted painter and art restorer, a talented interior decorator and a successful writer, authoring six novels and multiple volumes of autobiography in which not a word about his true sexual orientation appeared. His lover of 50 years, Anthony Forwood (left), was referred to as “Forwood”, in an attempt to portray their relationship as merely one of employer and employee (everyone else called him Tony). Forwood had left his actress wife, Glynis Johns, and their son to move in with Bogarde to become his “manager.” Rare photo of Forwood and Bogarde together (below):

Bogarde’s talent as a writer was often put to good use in embellishing screenplay dialogue.

From The Victim (1961):

In the film Dirk’s character, lawyer Melville Farr, is confronted by his beautiful wife, Laura (portrayed by Sylvia Syms*), who demands an explanation of who this boy Barrett was, how they knew each other, and why Mel stopped seeing him.

Dirk’s character responds:

“Alright – alright, you want to know. I’ll tell you – you won’t be content until I tell you, will you? – until you’ve RIPPED it out of me. I stopped seeing him because I WANTED him. Can you understand – because I WANTED him. Now what good has that done you?”

The dialogue as it appeared in the original script went this way:

“You won’t be content till I tell you. I put the boy outside the car because I wanted him. Now what good has that done you?”


*Younger readers might recall Ms. Syms as the Queen Mother to Helen Mirren in “The Queen” (2006).

The powerful scene starts at the 4:39 timing mark, and the above bit of dialogue is at 8:35
http://www.youtube.com/watch?v=Am9xWQrvnRA&list=PL692D14268C966A3C

Well, this was a film in which a real life gay man was portraying a gay character, a lawyer who tries to right an injustice involving blackmail for being gay. The Victim was the first movie in which the word "homosexual" was spoken on screen, and Bogarde later took credit for writing-in the scene that was the first instance of a man saying "I love you" to another man. Unfortunately, this film all but ended his career as a leading man, yet it opened the door to later brilliant film portrayals as a character actor. Bogarde was knighted in 1992 for his contributions to acting.

The impact of this film cannot be overstated. As American film makers were struggling to make homosexual material acceptable to the Hays Code** and the Legion of Decency***, this British film appeared in which an explicitly gay character actually stood up to fight a system that oppressed homosexuals. In "Victim," Dirk Bogarde was the screen's first gay hero.

**Hays Code (1930-1968): film censorship standards named after Presbyterian elder Will Hays of Indiana, who served as Postmaster General in the cabinet of President Warren Harding. Hays had also served as head of the Republican National Committee. The Supreme Court had already decided unanimously in 1915 that free speech did not extend to motion pictures, and the Hays Office codified objectionable material. Enforcement began in 1934, when the release of any film was held up until the movie studio acquired a certificate of approval from the Hays Office. If a gay character was allowed in a film, that character was open to scorn and ridicule, and most often died by the end of the movie. It was not until after the Hays Code was replaced by the current rating system in 1968 (G, PG, R, N17) that a movie appeared in which gays celebrated their sexual orientation, not to mention that all the gay characters were still living when the end credits rolled – Boys in the Band (1970).

***Legion of Decency was established by the American Catholic Church in 1933, with even stricter standards. Their clout was the constant threat of massive boycotts against films that did not meet their moral standards.

The entire film can be seen on YouTube in 10 installments:
http://www.youtube.com/watch?v=y7Nzrq1jKNM&list=PL692D14268C966A3C

Three stages of Dirk Bogarde: early, middle and late: