Role models of greatness.
Here you will discover the back stories of kings, titans of industry, stellar athletes, giants of the entertainment field, scientists, politicians, artists and heroes – all of them gay or bisexual men. If their lives can serve as role models to young men who have been bullied or taught to think less of themselves for their sexual orientation, all the better. The sexual orientation of those featured here did not stand in the way of their achievements.
Monday, March 21, 2016
Westerwelle, a former chairman of the Free Democratic Party (FDP), saw his party form a coalition with Angela Merkel’s government. He went on to serve as a deputy in her cabinet. A lawyer by profession, Westerwelle was a member of the Bundestag (Germany’s parliament) from 1996-2013.
Among the controversies that peppered his political career, Westerwelle announced in 2010 that he would not be taking his civil partner Michael Mronz along with him to countries with anti-gay policies. Other official trips as foreign minister, however, included Mronz, who is an events manager.
Guido Westerwelle became ill with leukemia just months after leaving government in 2014. His last public appearance was in November, 2015, when he was promoting his book about his battle with acute blood cancer, “Between Two Lives.”
Westerwelle with partner Michael Mronz:
Thursday, February 18, 2016
Photo by Larry Morris
When the great French composer, conductor and pianist Pierre Boulez (1925-2016) died at the age of 90 at his home in Baden Baden last month, there was much Internet chatter about his sexual orientation. Obituaries in major newspapers and journals mentioned that Boulez was “tightly guarded” about his personal life, but music critic Norman Lebrecht, who knew him for decades, stated that Mr. Boulez was gay. Boulez was extremely closeted, often introducing Hans Messner, his German lover of more than fifty years, as his “valet.” That Boulez (the “z” is not silent) was homosexual was one of the music world’s worst kept secrets.
Mr. Boulez enjoyed a first tier international career, holding conducting positions in France, Germany, Austria, Switzerland, England and the United States, and his numerous recordings earned him twenty-six Grammy Awards. Boulez did not use a baton, using only his hands to conduct, in the fashion of Dimitri Mitropoulos, Leopold Stokowski and fellow Frenchman Georges Prêtre.
As an opera conductor, Pierre Boulez was most famously associated with Bayreuth, conducting Parsifal and the Ring Cycle. In Paris he founded the Institut de Recherche et Coordination Acoustique/Musique (IRCAM) at the Centre Pompidou and the Ensemble Intercontemporain (EIC). In the United States he was conductor of the Cleveland Orchestra, Chicago Symphony and the New York Philharmonic and was composer-in-residence at Carnegie Hall (1999-2003).
As a composer, he was a champion of the avant-garde, writing atonal, electronic and serial music, although in later years composition took a back seat to conducting. He championed twentieth century composers, programming major works by Berg, Mahler, Debussy, Schoenberg, Stravinsky, Bartok, Webern and Varèse.
After a 2012 eye operation left him with impaired vision, he cancelled conducting engagements, and a shoulder injury from a fall kept him from attending the many 90th birthday celebrations held throughout the world in 2015. Both Columbia Records and Deutsche Grammophon issued limited edition box sets (67 CDs and 44 CDs, respectively) of his recordings in honor of his 90th birthday. Last month BBC Four broadcast an hour-long documentary, “Pierre Boulez at the BBC: Master and Maverick.”
Wednesday, February 10, 2016
In the early 1980s, following a move to San Francisco, Saylor became an editor at Drummer magazine, a popular gay S/M publication at the time. He explained in a later interview that the erotic fiction he wrote in his twenties emphasized the seriousness with which he undertook the task, stating, “I probably did more actual rewriting on those stories than anything I've done since, because for me, writing erotic fiction is like writing a piece of music, because if one note is wrong, you lose the audience.”
In his short story “Eden”, a young man has a fantasy about a reunion with a classmate named Bill. Even this short sample indicates that Travis is head and shoulders above the average male porn writer:
“Bill would open the door, smiling. I would step inside and throw down my duffel bag. Then he would take me in his arms and kiss me – for the first time, because we had never kissed. He would undress me, and when I was naked, he would push me to my knees. I would look up at his face, so happy to be back – he would take out his cock and tell me to suck it. I could close my eyes and see it. After such a long time apart, he would want to reclaim my ass. I could tell him, honestly, that no one else has had it, as I walked naked to his bed to lie face down, spreading my legs for his cock....
It wasn’t really Bill’s cock I was lusting for. It was Bill. His cock was just the part of him that he gave me to love.”
“Blue Light”, a BDSM tale in which a top loses control of a scene, is a psychological terror, the equal of an Edgar Allan Poe horror story. Proof that Saylor/Travis could wrote porn of high literary quality lies in this description of a penis from “Blue Light”:
“It hovered over me, white and thick. It was perfect, like the rest of his body. Alabaster white and enormously thick, tapered slightly at the base. The head was huge. The skin was pearly white and translucent, as smooth as glass, showing deep blue veins within. The circumcision ring was almost unnoticeable, the color of cream. The shaft looked as hard as marble, but spongy and fat, as if it were covered by a sheath of rubbery flesh. I could feel its heat on my face.”
Saylor has lived with fellow University of Texas student Richard Solomon since 1976; they registered as domestic partners in San Francisco in 1991 and later legally married in October, 2008. The couple shares residences in Berkeley, California, and Austin, Texas.