Role models of greatness.

Here you will discover the back stories of kings, titans of industry, stellar athletes, giants of the entertainment field, scientists, politicians, artists and heroes – all of them gay or bisexual men. If their lives can serve as role models to young men who have been bullied or taught to think less of themselves for their sexual orientation, all the better. The sexual orientation of those featured here did not stand in the way of their achievements.

Monday, July 14, 2014

Frank M. Robinson

Openly gay San Francisco resident Frank M. Robinson (1926-2014) wrote science fiction novels, thrillers, magazine columns and political speeches. Born in Chicago, in 1973 he migrated to San Francisco, where he met Harvey Milk, the first openly gay American elected to a prominent public office (San Francisco city supervisor). Milk asked Robinson to be his speech writer, and Frank later found himself working on Milk’s famous “You’ve Got to Have Hope” gay pride speech: "We will not win our rights by staying quietly in our closets.... We are coming out to fight the lies, the myths, the distortions.... I am tired of the conspiracy of silence."

Frank became such a valued advisor to Harvey Milk, that Milk designated him as his successor in 1977 by way of a recording filed with Milk’s attorney (Milk was well aware of the possibility of his own assassination). Director Gus Van Sant persuaded Robinson to play himself in a cameo role in the 2008 film, Milk. When Sean Penn, in the role of Harvey Milk, stood in front of San Francisco’s city hall, just as Milk had done 30 years previously, Robinson was again in the crowd. “When I heard Sean say those words [almost verbatim] that I had helped write, I was so proud," Robinson said.

Unlike Milk, however, Robinson remained closeted for for many years for fear of not being able to keep his job or get new work. Little did the straight readers of Playboy magazine’s sex advice column (Playboy Advisor) realize that the columnist was a closeted gay man. Playboy had earlier published some of Frank’s fiction. Robinson also wrote for other magazines – Gallery, Cavalier and Rogue.

Three of his novels were made into films: The Glass Inferno (co-written with Tom Scortia) became The Towering Inferno (1974), The Power was made into a 1968 film starring George Hamilton, and The Gold Crew became an NBC miniseries retitled The Fifth Missile (1986).

Robinson was inducted into the First Fandom Hall of Fame (2001) for contributions to the field of science fiction, won an Emperor Norton Award* (2004) and received a Moskowitz Archive Award (2008) for significant achievement or contributions to Science Fiction/Fantasy/Horror fandom. He was named the recipient of the Special Honoree Award by Science Fiction Writers of America (SFWA) earlier this year.

*Google this award. Unbelievable back story.

Robinson died a few weeks ago on June 30, at age 87, following a long illness. A public memorial service will be held at 7 pm on August 8 in San Francisco.

Monday, July 7, 2014

Harold Stevenson

Openly gay artist Harold Stevenson Jr as born in 1929 in Idabel, southeastern Oklahoma near the Texas border, where he decided to be a painter while still in the second grade. At age ten he opened a painting studio right in the middle of town, painting portraits (and selling them). Even while later living abroad, he maintained an  address in Idabel, where he lives today in a log cabin just outside of town. The artist incorporated his own hometown history into his painting when he created one hundred portraits of residents of Idabel for The Great Society (1967–68). Recently Stevenson sold his estate in the Hamptons and returned to reside in Idabel, where he still works.

Mitchell Algus, Harold’s gallery representative since 1992, recalls asking Stevenson if he was teased for being gay while a schoolboy. Harold replied, “Honey, I owned that school.” Stevenson’s longtime partner was Lloyd Tugwell, a Choctaw art teacher who died in 2005 after a fall down the stairs at their Hamptons home. He is buried in the Stevenson family plot in Idabel.

In 1949 Stevenson moved to New York to pursue a career in art and almost immediately became the darling of international high society – Stravinsky, Cole Porter, Elizabeth Arden, Tennessee Williams, the Duke and Duchess of Windsor, Truman Capote, Kitty Carlisle, Gloria Swanson, Christian Dior, Salvador Dali and the like. He was part of the avant-garde movement and befriended Andy Warhol, who would make Stevenson the subject of Warhol’s first film, Harold, and would include him in the pop artist’s video Heat (1972).

In 1959, Stevenson relocated to Europe, where he resided in France and Italy and exhibited regularly in galleries for nearly twenty years. During a career of nearly seven decades, the nude male figure always dominated his works, but the artist’s most iconic works were products of the 1960s.


The New Adam (1962)
Painting by Harold Stevenson Jr.; Model, actor Sal Mineo (1939-1976)

In early 1963 visitors to the Galerie Iris Clert, Paris, were hardly prepared for the painting that greeted them, a colossal 8-foot-tall by 39-foot-long male nude, precisely and sensually rendered in full anatomical detail. In Paris (and later in New York, Chicago, and L.A.), the work was greeted with “shock,” recalls self-taught Harold Stevenson, who conceived The New Adam as an homage to his lover, Lord Timothy Willoughby d’Eresby – although he used the actor Sal Mineo as his model. In an interview, Harold said of Mineo, “He was a sweetheart person, and kind of stupid.” Lord Willoughby (1936-1963), who was the grandson of Lady Astor, went missing at sea with his crew in 1963 on the way to Corsica, shortly after Stevenson had painted a portrait of him in 25 pieces, displayed in Paris in 1962. Stevenson had been invited along for the sailing, but declined.

Spread over nine linen panels and initially installed as a three-wall wraparound, The New Adam presented a vast, seemingly unbounded ocean of flesh. This work engaged a much older tradition in art, recalling countless female odalisques, as well as Michelangelo’s iconic image of Adam, whose pointing gesture Stevenson redirects inward, toward the body. Over 40 years later, the Guggenheim Museum New York was honored through an anonymous gift to have this landmark of art history join its permanent collection in 2005, but it has not been displayed since 2006.


Eye of Lightning Billy (1962), Stevenson’s large-scale painting of the close-up of a human eye, was included in the pivotal exhibition The New Realists (1962), which also featured artists like Robert Rauschenberg, Andy Warhol, Robert Indiana and many others. The following year, Stevenson exhibited a 48-foot-high painting of the matador El Cordobas at the Eiffel Tower. In the 1980s, while living in Key West, he incorporated references to Greco-Roman and Egyptian archetypes into his works. In the last decade, Stevenson has focused on sensuous paintings of the young model Christopher John.

Sources: Ron Clark and Ted Mann

Sunday, June 29, 2014

Joseph John Bertrund Belanger

This photo booth portrait was taken in California in 1953, at a time when laws allowed police to target homosexuals, who could be arrested for holding hands in public or wearing clothing of the opposite sex. A photo such as this could have gotten the men arrested.

Time magazine recently reported that the man shown on the right was J. J. Belanger, a Canadian born in 1925 who served in the Royal Canadian Air Force from 1942 to 1944. He then moved to California, where he was one of the founding members of the Mattachine Society, an early LGBT organization which originated in 1950 in Los Angeles. Their initial name of Society of Fools was replaced by Mattachine Society, after Medieval French secret societies of masked bachelors who, through their anonymity, were empowered to criticize ruling monarchs with impunity. The name change was meant to symbolize the fact that gays were a masked people, unknown and anonymous.

During the 1970s Belanger became the Los Angeles coordinator of the Eulenspiegel Society, the oldest and largest BDSM (Bondage, Discipline, Sadism, Masochism) education and support group in the United States. During the next decade Belanger became involved with three LGBT organizations, the San Francisco chapter of the Stonewall Gay Democratic Club, Project Inform and the Quarantine Fighter’s Group.

Throughout his lifetime, Belanger was a devoted collector of historical LGBT artifacts and materials. This photograph of him is now part of the ONE National Gay & Lesbian Archives at the University of Southern California Libraries (Los Angeles), the largest repository of LGBT materials in the world, which includes letters, notebooks, and audio recordings owned by Belanger. Many of Belanger's effects relate to gays in the military and AIDS activism.

Kyle Morgan, of the ONE Archives at the USC Libraries, recently wrote, “Here, in the midst of the 2014 (gay) pride season, what remains so remarkable and moving about this particular image is how quietly radical it feels all these years later. Belanger and another man have found a private safe space in the unlikeliest of places, an ordinary photo booth, where they felt so at ease...(that) they could kiss each other far from the prying eyes of a disapproving public.”

Sources: Time Magazine and Wikipedia