Role models of greatness.

Here you will discover the back stories of kings, titans of industry, stellar athletes, giants of the entertainment field, scientists, politicians, artists and heroes – all of them gay or bisexual men. If their lives can serve as role models to young men who have been bullied or taught to think less of themselves for their sexual orientation, all the better. The sexual orientation of those featured here did not stand in the way of their achievements.

Thursday, January 5, 2012

James Deering's Vizcaya


I’m just back from a winter break in south Florida, and I visited the Vizcaya mansion on the shores of Miami’s Biscayne Bay last Sunday. Vizcaya was built over a span of two years, 1914-1916, by James Deering (1859-1925), co-founder and vice president of International Harvester. It is an Italian Renaissance-style villa used by Chicago-based Deering as a 34-room winter home, set among ten acres of formal gardens, which were not completed until 1921, because of the outbreak of WWI. During the construction, ten percent of Miami’s population worked at the Vizcaya site. The original 180 acres included a working farm, machine shop, staff residences, garages, greenhouse, and a paint and carpentry workshop.

Portrait inscribed: to Mr James Deering from his friend John S. Sargent*, Miami 1917.

Deering was discretely homosexual, but is referred to only as a “life-long bachelor” in the printed materials available at the site. There are no reports of his showing romantic or physical interest in women. In addition to making a fortune from agricultural machinery, Deering was a socialite and an antiquities collector. When he was phased out of daily company affairs by J.P. Morgan interests in 1909, Deering decided to go on a buying spree with his gay decorator, designer Paul Chalfin (see portrait c. 1915 below), who made sure that Deering’s winter home did not resemble his brother’s plain-Jane estate a bit farther south. Deering served as Vice President of International Harvester until 1919 and remained a company director the rest of his life. But after the 1909 reorganization, he essentially retired – with a very fat wallet. The Deering family had come into $800 million (in today’s money) from the sale of a part of their company interests to J. P. Morgan bank.

Together, Chalfin and Deering sailed to Europe, snapping up fabulous antiquities (including doors, wall panels, mantels and ceilings) that would be incorporated into the creation of an opulent, over-the-top, decadent, and ostentatious fantasy villa in what is today north Coconut Grove.

Paul Chalfin was a New York based painter-turned-decorator who had worked as an assistant to celebrated designer Elsie de Wolfe. Chalfin was openly homosexual and affected in mannerisms and speech. He and Deering bonded immediately and made numerous trips to Europe to inspect villas and procure furnishings, including wrought iron gates, fountains and antique chimney pieces (one was 20-ft. tall). Chalfin and Deering spent two years formulating the Miami villa before handing the project over to a young, unknown architect, Francis Hoffman, who was in the unenviable position of having to please two clients: Chalfin, who was on site in Florida, and Deering, who was based in Chicago.

Chalfin and Deering had decided on a square Italian courtyard villa placed directly on the shoreline with gardens to the side. Hoffman soon found out that his job was to do as he was told. Since Chalfin was neither trained nor licensed as an architect, Deering’s choice of a younger, unknown architect – hungry for an important commission – meant that Chalfin could get his way, with Hoffman serving primarily as a draftsman. Hoffman readily allowed Chalfin to take credit as his associate architect. Headed off to serve in WWI as the villa neared completion, Hoffman could hardly have contemplated that his good deed would be so rudely rewarded, as Chalfin steadily and gradually claimed exclusive credit as the creator of Deering's widely publicized and critically acclaimed new estate. Chalfin's ego eventually led him to downplay Deering’s own influence on the project, which was considerable.

Liberace would have felt completely at home here. Trust me. There’s a 3-manual pipe organ, tea house, garden theater, statuary walks, courtyards, loggias, bridges, canals, fountains, maze, indoor/outdoor swimming pool, terraces, mangrove swamps, grottos and a room whose entire function was for arranging flowers. Did I mention the stone breakwater barge and yacht landing?



*John Singer Sargent (also discretely gay), who painted clothed women and naked men, was an intimate friend. While staying at Vizcaya, Sargent painted a series of watercolors of male nudes, using the African-American workers on the premises as models (see watercolor below). A further clue to Deering’s sexual orientation is a statue in the gardens that depicts Ganymede, the mythological gay youth who was the lover of Zeus. A tapestry hung inside the villa depicts a male lion with a raging erection. I’m not making this up. James Deering, that life-long bachelor, is speculated by many to have had a relationship with Sargent, as well.

I’m just sayin’.



Although most of the original furnishings remain intact, the south Florida climate took its toll. Of late the original open-air central courtyard has been covered with a glass pyramid so that air conditioning could be installed, diminishing further deterioration of fabrics and furnishings. Innovations at the time of construction include a central vacuum system (in 1916!), an automatic electric telephone switchboard and a fire control system. Upon Deering’s death in 1925, while returning from France on an ocean liner, the house was maintained by minimal staff after it was inherited by two nieces. Following hurricane damage and escalating maintenance costs, the women sold Vizcaya much below value to Miami-Dade County in 1952 to operate as a museum. Today the house and gardens are designated a National Historic Landmark.

The boat house, where Deering’s yacht Nepenthe was docked, along with various lagoons and canals, were lost when some of the acreage was sold off by the nieces. Today Mercy Hospital and a large Catholic church occupy the adjacent acreage where those features once stood.

Several movies (remember Pet Detective?) and documentaries have been shot here. Vizcaya is today a popular backdrop for quinceañera photos/celebrations by Miami’s huge Latina population and the scene of countless fashion photoshoots. During my visit several brides were being photographed in the tea house and gardens. The mansion and gardens may be rented for private functions.

Open daily at 3251 S. Miami Avenue. 305.250.9133.

www.vizcayamuseum.org

As opulent as these photos seem, black and white photos from the 1920s indicate that the rooms contained many more decorative items and details than what visitors view today.

From top:
1. Staircase fountain leading up to garden folly/casino
2. Reception room
3. Bayfront (east) loggia
4. Mr. Deering's bathroom with tented ceiling & water views
5. Teahouse lattice & garden folly/casino interior





10 comments:

  1. I've been to this villa twice. Fabulous.

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  2. Francine SanscartierJanuary 19, 2013 at 8:07 AM

    I've visited this villa through information on the web. I was so surprised and amazed to see how beautiful it is. I was there yesterday and my eyes and mind are still filled with all the wonderful sceneries, artifacts from all over the world. I thank Mr. Deering for having taken the time to built and furnish his villa. It is a masterpiece of a villa and makes people happy to visit it. I know I am.

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  3. My wife and I guessed Deering was gay. But so what? Really not relevant other than as gossip.

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    1. Reply from your blogger:
      The relevance is that this blog features gay and bisexual men who were/are successful in their fields. I started this blog as a response to the spate of suicides among young gay men who were bullied or otherwise made to feel worthless and/or stigmatized by their sexuality. It is my hope that gay/bisexual men might feel validated and encouraged by the stories of the men I feature on this blog. It gets better.

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    2. Just to add to the author's response to your comment that Mr. Deering's being is "not relevant other than gossip..." I and my partner visited Vizcaya yesterday and took the guided walking tour. There was absolutely no mention whatsoever of the relationship between Mr. Deering and Mr. Chalfin beyond their professional relationship in building the estate. Can you imagine a world in which Mr. Deering's female life partner/wife/mistress was not acknowledged as such or that she would be considered "irrelevant"? Also, we tend to "gossip" about things we are ashamed of or otherwise wish to remain private. In Mr. Deering's day it would have been "gossip" to publicly discuss one's homosexiauty; today it is not and so it is perfectly appropriate to discuss this important element of this interesting man.

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    3. Hello,
      One further comment. As an architectural and design historian, I firmly believe that Mr. Deering's orientation mattered a great deal in all he accomplished in his private world. It certainly informed his choice of designer and architect. The design and construction of this great house would have of constant interest to Deering, and undoubtedly he influenced the design at every turn.
      Greg Hubbard, Chatsworth, California.

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  4. Thank you, Terry and "Imageandlikeness". OF COURSE I feel the same, in fact, the tour (in 2014!!!) should be edited to communicate the truth about Deering and his relationship. His time may have forbidden it, but ours does not. Kudos to them for building an amazing home. Can't wait to tour it again and check out some of the art and furnishing with a different and wonderful perspective!

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  5. We visited Vizcaya today and while lunching in its café, discussed the absence of mention of any wife or woman in the exhibits. So while sipping an iced tea, I googled "James Deering wife" and found this blog, which should be an essential part of anyone's visit to Vizcaya. Thank you.

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  6. I noted that on the second floor piazza, there is a window opening through
    the wall directly into Mr Deering's bath ! His tub is just below the opening
    window.

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  7. I think BECAUSE he was gay it was done so tastefully. It's amzing, personally I was impressed more by it than by Versailles. Too sad that the cure to his vitamin deficiency was found just a year after his death....

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