Even though he held important posts as a church organist and choirmaster, Ireland was troubled by his uneasy relationship with Anglo-Catholic beliefs and traditions. In 1936 he wrote, “I am a Pagan. A Pagan I was born and a Pagan I shall ever remain. That is the foundation of religion.”
Ireland was a severely closeted homosexual who was crippled by pressure to live a life of social normalcy. This strategy culminated in a brief, but disastrous and unconsummated marriage that led to his public humiliation. According to Byron Adams (Gay Histories and Cultures, Volume 2), Ireland’s personal life was one of “relentless gloom.” Although Ireland enjoyed passionate homoerotic attachments to male friends and his young choirboys, social pressures against such relationships led him deeper into depression and alcoholism. Because his sexual inclinations led to alienation, he did not mix in homosexual circles, and he never found a long-term or stable sexual partner.
Ireland virtually stopped composing after World War II and spent his last years suffering from illness, blindness and profound melancholy.
His music is uncomplicated and lands comfortably on the untrained ear. Give this a try:
Piano Concerto in E-flat (1930): First movement