Gus Van Sant

Gus Van Sant (b. 1952) is an Academy Award-nominated film director, photographer, musician, and author who is pointedly based in Portland, Oregon, instead of L.A. or NYC. It is Van Sant's view that living in the city where he attended high school and learned his craft is a way to keep his head and art clear of a sort of alien residue that it might take on if he worked somewhere else.

Openly gay, he has dealt unflinchingly with homosexual themes in which his characters are more often misfits than role models. As a writer and director, he created My Own Private Idaho (1991) and an adaptation of Tom Robbins' novel Even Cowgirls Get the Blues (1993). His mainstream triumph, as director of Good Will Hunting (1997, photo with Matt Damon, below), led to an unusually faithful remake of the Alfred Hitchcock classic Psycho, a disappointment that met with equal parts curiosity, skepticism, and derision from industry insiders and the public alike.

Van Sant seems equally at home with major studio projects and low-budget independent films, and he is known for being a low-key writer/director who tailors his characters to the cast. The Columbine-themed Elephant (2003) unexpectedly won the Palme d'Or and a Best Director award at Cannes. With the period film Milk (2008) Van Sant returned to mainstream film making; its budget of $20 million was more than his four previous films combined. Milk was a biopic of openly gay San Francisco supervisor Harvey Milk (portrayed by Sean Penn, photo at end of post)), who was assassinated in 1978. The film was released to much acclaim and earned accolades from film critics and guilds and was a major hit with the public. Ultimately, it received eight Oscar nominations, including Best Director for Van Sant. It won two Academy Awards, Best Actor in a Leading Role for Penn and Best Original Screenplay for writer Dustin Lance Black.

His next project will star Taylor Lautner (who has had to remind us for the thousandth time that he’s “straight” – funny how that concept just doesn’t stick in our heads) in a movie about illegal underground boxing matches in NYC’s Chinatown in which the participants are buffed male models. Based on a non-fiction  article that appeared in New York magazine on February 13, 2011 (Fight Like a Pretty Boy by Alex Morris), it will give Mr. Lautner (abs-featured photo below) an excuse to take off his clothes for “his art” (not his fan base) and Van Sant an excuse to inject heaps of homoerotic subtext in a film for a mainstream audience.

Ms. Morris wrote, “They come for the sheer violence – the wormhole back to a long-lost New York. But they’ve also come for the spectacle of beautiful boys stripping to the waist and submitting their features to a thorough pummeling.”

Alrighty then. I give the project my vote, as it seems a perfect match for Van Sant and Lautner, and I hereby cease my bitchy comments about the über-straight Mr. Lautner. Filming is to commence any day now.

I should also note that Gus Van Sant has written one novel, Pink, and published a book of his photography, called 108 Portraits. He has also exhibited original art works (watercolors), made music videos and has released two CD albums on which he sings and plays all instruments.


Below: Van Sant with Sean Penn, star of Milk.

My Own Private Idaho stars Keanu Reeves (Scott) and River Phoenix (Mike) as street hustlers. In this scene drug-addicted Mike, who suffers from narcolepsy, professes his unrequited love to Scott; Phoenix himself expanded Van Sant’s original 3-page scene into an 8-page confessional that clears up the ambiguity of his character's sexual orientation. The film, whose title is derived from the song "Private Idaho" by the B-52s, is a retelling of Shakespeare’s Henry IV plays, with the character of Scott (Keanu Reeves) based on Prince Hal. The plot, which centers on death and betrayal, provides roles of great density, rare offerings for such young actors. River Phoenix received enormous praise for his performance. Tragically, two years after the release of this film, Phoenix collapsed and died of drug-induced heart failure on the sidewalk outside West Hollywood’s Viper Room nightclub, at the age of 23.

"Campfire Confessional" scene from My Own Private Idaho:

Chris Hughes: New Republic Owner

Three weeks ago (February 15) I featured Facebook co-founder Chris Hughes and his partner Sean Eldridge, who are busy as activists for marriage equality. Today Hughes announced that he has purchased the venerable The New Republic magazine, a progressive political periodical.

Hughes will become Editor-in-Chief and will place emphasis on delivering the magazine content via tablet computers. He did not speculate on ending the print edition, but he mentioned that sooner than we think most readers will be reading The New Republic on a tablet.

The magazine currently employs a small staff of just 29, but Hughes announced plans to increase the magazine’s budget for reporting and analysis, so we can assume he’ll be hiring for an expanded staff.

Editor Richard Just, who will retain his post, stated in a letter to his staff:

For all of us at TNR – and, really, for anyone who believes in the enduring value of intellectual magazine journalism – this is a wonderful day. My colleagues and I can’t wait to work with Chris to bring the vision of magazine journalism we all share to more and more readers, and to continue the process of figuring out how this kind of journalism can thrive in the age of the Internet and the iPad.

Hughes told National Public Radio that "People still want independent, rigorous reporting and The New Republic has been a place where that happens." He also emphasized "freedom, equality and American responsibility" as core values written into the publication's DNA.

Edward Field

Gay poet Edward Field was born in 1924 in Brooklyn and attended New York University before enlisting in the Air Force in 1943. During the war, as a navigator in heavy bombers, he flew 25 missions over Germany. Field began writing poetry during his military service but did not gain recognition until his collection of poems, Stand Up, Friend, With Me, was awarded the Lamont Poetry Selection prize in 1962. The collection was published the following year.

Field uses words in a straightforward way, and he does not expect his audience to have arcane knowledge. He says he was asked to translate a book of Eskimo poems for children, because he was the only writer the publisher could find whose poetry could be understood by ten-year-olds.

There is also a confessional nature to his poetry. While earlier poems contained subtle references to homosexuality, A Full Heart (1977), is a collection of genial poems in which Field came out as a gay poet. His gay manifesto is "The Two Orders of Love." In this poem, he sees homosexuality as a natural and necessary condition:

Nature needs both to do its work
and humankind, confusing two separate orders of love
makes rules allowing only one kind
and defies the universe.

Terrence Johnson sums up Field’s place in the genre of contemporary literature: “Field's poetry is a pleasurable and valuable account of coming to terms with homosexuality in the literary world of New York in the second half of the twentieth century.”

His honors include an Academy Award for the documentary film “To Be Alive” (1965) for which he wrote the voice-over narration, the Shelley Award, a Lambda Award, and the Bill Whitehead Lifetime Achievement Award.

Field, who maintains a web site at www.edwardfield.com, has given readings at hundreds of colleges and other institutions, including the Library of Congress. You can hear him reading poetry at:

www.YouTube.com/fieldinski