December 2013 Update: Click on Tom Daley in the sidebar for details of Mr. Black's personal life.
A personal comment: I have no problem with accommodating people who hold views that differ from my own. That’s what’s great about our country, the USA – we have free speech rights. One thing I’ve come to realize over the years is that I learn more from people whose ideas and causes differ from my own than I do by associating only with those whose thoughts align with mine. The old “two sides to every story” bit actually holds water. However, people who lie or just make up stuff to support their prejudiced diatribes give free speech a bad name.
Academy Award winning screenwriter Dustin Lance Black has done something about it. In 2010 he actually sat in the California federal courtroom (Perry v. Brown) over a three week period to get a first person take on the bigoted defenders who, under oath, revealed one after the other that there were no facts to back up their claims in fighting gay marriage. Proposition 8, which banned same sex marriage, was overturned and ruled unconstitutional – but it’s still not over; the case is surely headed for the U.S. Supreme Court. Black wrote “8", a 90-minute play about the trial, quoting actual transcripts and first hand interviews for a script. A successful reading in NYC led to a YouTube version with a cast that included George Clooney, Brad Pitt, Matt Bomer, Kevin Bacon, Jamie Lee Curtis, Chris Colfer, Jane Lynch, Matthew Morrison, George Takai, Jesse Tyler Ferguson and Martin Sheen (who gives a speech that will make your hair stand on end) – all directed by Rob Reiner. The play 8 is a powerful account of the case filed by the American Federation for Equal Rights (AFER) in the U.S. District Court in 2010 to overturn Proposition 8, a constitutional amendment that eliminated the rights of same-sex couples to marry in the state of California. Framed around the trial's historic closing arguments in June 2010, 8 provides an intimate look at what unfolded when the issue of same-sex marriage was on trial.
Take six minutes of your time to watch gay screenwriter/activist Dustin Lance Black as he is interviewed about his play “8":
200,000* computers captured the live-streamed YouTube premiere on March 3, now archived on YouTube. Following is the entire broadcast (the play itself is the last 90 minutes of the 2-hr. broadcast; there is an option to skip the first 30 minutes to jump to the start of the play):
*This is an arresting statistic. It would take 21 weeks (5 months) of sold-out performances in a 1,200 seat theatre to reach an audience of 200,000, based on 8 performances a week. Thanks to YouTube, that many people saw it in two hours (at the time I punched in "post" this morning, that number had increased to more than 527,000). It is important to note that the defendants, who had launched a campaign of fear and prejudice, had tried to suppress having the videotapes of the trial released, because they were cast in such an unflattering light. Our laws require that the transcripts of the case, however, be made available. All of the words of the actors in the trial scenes are exactly as recorded in the transcripts.
Role models of greatness.
Here you will discover the back stories of kings, titans of industry, stellar athletes, giants of the entertainment field, scientists, politicians, artists and heroes – all of them gay or bisexual men. If their lives can serve as role models to young men who have been bullied or taught to think less of themselves for their sexual orientation, all the better. The sexual orientation of those featured here did not stand in the way of their achievements.
Sunday, March 18, 2012
Saturday, March 17, 2012
Truman Capote
Truman Capote (1924-1984) was a notorious, back-stabbing liar who had a keen facility for making enemies. He tossed off outrageous, barbed comments like hand grenades, and his life – a non-stop orgy of drinking, parties and gossip – was a sordid mess, almost from day one. While attending prep school he worked as a copyboy for New Yorker magazine, but was summarily fired after angering Robert Frost.
Capote was openly homosexual, with physical and vocal affectations that alienated many people. He was five-feet three-inches tall with a lisping, high pitched voice. Capote’s rehab treatments (for drugs, depression and heavy drinking) and various breakdowns frequently became public.
He hobnobbed with authors, critics, business tycoons, philanthropists, Hollywood and theatrical celebrities, royalty and members of high society, both in the U.S. and abroad. He was also an extraordinarily talented writer.
His novel Other Voices, Other Rooms (1948, on the New York Times best seller list for nine weeks) was a thinly veiled autobiography of his Alabama childhood. It introduced the character Joel, a young man who, through a meeting with a transvestite, discovers and learns to accept his own homosexuality; he wrote about what was going on sexually in own his life. The Harold Halma photograph on the dust jacket created a sensation, inspiring Andy Warhol to craft his first NYC one-man show as Fifteen Drawings Based on the Writings of Truman Capote (1952). The Halma photo (not shown here) was widely reproduced and often satirized.
The novella Breakfast at Tiffany’s (1958) introduced the character of Holly Golightly, becoming one of Capote's best known creations, and the prose style prompted Norman Mailer to call Capote "the most perfect writer of my generation." Most critics agree that in the 1961 film version, Holly Golightly was Audrey Hepburn’s defining role (shown at right), although Capote was highly critical of the film’s many digressions from the original source. But it was a 1959 Kansas quadruple murder that inspired Capote’s 1966 non-fiction novel and movie that made him rich and famous: In Cold Blood. The highly praised biopic film Capote (2005), in which Capote was played by Philip Seymour Hoffman, spanned the years Capote spent researching and writing the wildly successful book.
While he had two serious relationships with men – Smith College professor Newton Arvin (1946-1949) and ballet dancer/novelist/playwright Jack Dunphy (1949 until Capote’s death) – they were not exclusive; Arvin lost his teaching job after his homosexuality was exposed, but Dunphy became the chief beneficiary of Capote’s will. Capote confessed to a sexual liaison with actor Errol Flynn and other high-profile bisexuals, but he famously claimed to know many high-profile people he had in fact never met, such as Greta Garbo. Capote and Gore Vidal were arch rivals. Vidal once observed, "Truman Capote has tried, with some success, to get into a world that I have tried, with some success, to get out of." Lee Radziwill, the sister of Jacqueline Kennedy Onassis, supplanted the older Babe Paley as Capote’s primary female companion in public appearances.
In 1966 Capote hosted a gala honoring Katherine Graham, Washington socialite and publisher of The Washington Post. Held in the grand ballroom of the Plaza Hotel, the Black and White Ball was a legendary social event. Capote dangled the prized invitations for months, snubbing early supporters as he determined who was “in” and who was “out”. In this photo Capote, host of the Black and White Ball at the Plaza Hotel, escorts the guest of honor, Katharine Graham (1966).
The much-delayed publication of Answered Prayers (1986, posthumously) brought about his fall from grace with high society. Various chapters published in Esquire magazine (1975-76) betrayed the confidences of high profile friends such as Tennessee Williams and William S. and Babe Paley. Although Capote subsequently underwent a facelift, lost weight and experimented with hair transplants, he became a recluse after the revocation of his driver's license and a hallucinatory seizure in 1980. He died of liver cancer in 1984 at the Los Angeles home of Joanna Carson, ex-wife of TV host Johnny Carson, on whose show Capote had been a frequent guest. After Capote’s death, rival Gore Vidal described Capote's demise as "a good career move".
Photo of Truman Capote by Henri Cartier-Bresson:
A Christmas Memory, narrated by Truman Capote. This 1966 Emmy-award winning television version of his 1956 short story (published in Mademoiselle magazine) reveals Capote’s distinctive, quirky voice, starting at the 0:47 timing mark. Have a listen.
Capote was openly homosexual, with physical and vocal affectations that alienated many people. He was five-feet three-inches tall with a lisping, high pitched voice. Capote’s rehab treatments (for drugs, depression and heavy drinking) and various breakdowns frequently became public.
He hobnobbed with authors, critics, business tycoons, philanthropists, Hollywood and theatrical celebrities, royalty and members of high society, both in the U.S. and abroad. He was also an extraordinarily talented writer.
His novel Other Voices, Other Rooms (1948, on the New York Times best seller list for nine weeks) was a thinly veiled autobiography of his Alabama childhood. It introduced the character Joel, a young man who, through a meeting with a transvestite, discovers and learns to accept his own homosexuality; he wrote about what was going on sexually in own his life. The Harold Halma photograph on the dust jacket created a sensation, inspiring Andy Warhol to craft his first NYC one-man show as Fifteen Drawings Based on the Writings of Truman Capote (1952). The Halma photo (not shown here) was widely reproduced and often satirized.
The novella Breakfast at Tiffany’s (1958) introduced the character of Holly Golightly, becoming one of Capote's best known creations, and the prose style prompted Norman Mailer to call Capote "the most perfect writer of my generation." Most critics agree that in the 1961 film version, Holly Golightly was Audrey Hepburn’s defining role (shown at right), although Capote was highly critical of the film’s many digressions from the original source. But it was a 1959 Kansas quadruple murder that inspired Capote’s 1966 non-fiction novel and movie that made him rich and famous: In Cold Blood. The highly praised biopic film Capote (2005), in which Capote was played by Philip Seymour Hoffman, spanned the years Capote spent researching and writing the wildly successful book.
While he had two serious relationships with men – Smith College professor Newton Arvin (1946-1949) and ballet dancer/novelist/playwright Jack Dunphy (1949 until Capote’s death) – they were not exclusive; Arvin lost his teaching job after his homosexuality was exposed, but Dunphy became the chief beneficiary of Capote’s will. Capote confessed to a sexual liaison with actor Errol Flynn and other high-profile bisexuals, but he famously claimed to know many high-profile people he had in fact never met, such as Greta Garbo. Capote and Gore Vidal were arch rivals. Vidal once observed, "Truman Capote has tried, with some success, to get into a world that I have tried, with some success, to get out of." Lee Radziwill, the sister of Jacqueline Kennedy Onassis, supplanted the older Babe Paley as Capote’s primary female companion in public appearances.
In 1966 Capote hosted a gala honoring Katherine Graham, Washington socialite and publisher of The Washington Post. Held in the grand ballroom of the Plaza Hotel, the Black and White Ball was a legendary social event. Capote dangled the prized invitations for months, snubbing early supporters as he determined who was “in” and who was “out”. In this photo Capote, host of the Black and White Ball at the Plaza Hotel, escorts the guest of honor, Katharine Graham (1966).
The much-delayed publication of Answered Prayers (1986, posthumously) brought about his fall from grace with high society. Various chapters published in Esquire magazine (1975-76) betrayed the confidences of high profile friends such as Tennessee Williams and William S. and Babe Paley. Although Capote subsequently underwent a facelift, lost weight and experimented with hair transplants, he became a recluse after the revocation of his driver's license and a hallucinatory seizure in 1980. He died of liver cancer in 1984 at the Los Angeles home of Joanna Carson, ex-wife of TV host Johnny Carson, on whose show Capote had been a frequent guest. After Capote’s death, rival Gore Vidal described Capote's demise as "a good career move".
Photo of Truman Capote by Henri Cartier-Bresson:
A Christmas Memory, narrated by Truman Capote. This 1966 Emmy-award winning television version of his 1956 short story (published in Mademoiselle magazine) reveals Capote’s distinctive, quirky voice, starting at the 0:47 timing mark. Have a listen.
Thursday, March 15, 2012
Raúl Esparza
Stage actor and singer Raúl Esparza (b. 1970) is a noted performer in Broadway productions – both musicals and straight plays – who also ventures into film and television roles. He was the subject of a 2006 New York Times profile in which he revealed that, although he had been married to his high school sweetheart since 1993, he was bisexual and engaged in same-sex relationships. While he and his former wife remain close friends, Esparza revealed that he was involved with an unnamed male actor at the time; he and his wife quietly divorced in 2008.
Raúl stars in a new Broadway musical Leap of Faith (see video clip at end of post), which begins previews April 3 at the St. James Theatre. Esparza has received numerous Tony award nominations, among them his portrayal of flamboyant Philip Salon in the Boy George musical Taboo (2004), as Bobby, an empty man devoid of connection, in Stephen Sondheim’s Company (2006), a lazy and snarky man in Harold Pinter's The Homecoming, and an aggressive movie producer in David Mamet's Speed the Plow. He played the role of Riff Raff in the Broadway revival of The Rocky Horror Show. Esparza is widely regarded for his versatility on stage.
His work on film includes Sidney Lumet's Find Me Guilty and Wes Craven's My Soul to Take. His television credits include roles on Medium and Pushing Daisies. As well, he has recorded the audio-book for Stephen King's Under the Dome and performs as a singer in concerts from coast to coast.
Company is the story of Bobby, a charming single man, who is unable to commit to a relationship and who may have questions about his own sexual identity. Raúl’s own romantic conflicts were far deeper than that of the character he played and had no easy fix; he was no longer truly married, but not entirely separated. Still, the parallels were striking.
Esparza's separation from his wife came after finally acknowledging that his attraction to men wasn't something transient. It's a journey he observed in his stage character as well: "I think the real thing that Bobby is going through is that he’s trying to grow up, and that means accepting things you can’t change, and it also means that in spite of all the messiness and failure you make a choice to love someone and live your life in the way that’s right for you. It’s messier than the pretty picture you painted for yourself. I had a romanticized idea of what it means to be an adult: all husbands and wives who love each other get to stay together forever – love is enough."
The following video is of his performance of Being Alive (Company’s Broadway revival) from the 2007 Tony Awards broadcast.
LEAP OF FAITH
Raúl Esparza plays con-artist Jonas Nightingale, who finds himself stranded in a backwater Kansas town, attempting to separate the locals from their cash by holding a revival meeting. The musical is based on the 1992 film that starred Steve Martin, and the familiar story line channels such classic dramas as Elmer Gantry, The Rainmaker (and its musical version 110 in the Shade) and The Music Man.
Here Esparza sings Step into the Light from Leap of Faith, which opens on Broadway April 26 (previews begin April 3):
Raúl stars in a new Broadway musical Leap of Faith (see video clip at end of post), which begins previews April 3 at the St. James Theatre. Esparza has received numerous Tony award nominations, among them his portrayal of flamboyant Philip Salon in the Boy George musical Taboo (2004), as Bobby, an empty man devoid of connection, in Stephen Sondheim’s Company (2006), a lazy and snarky man in Harold Pinter's The Homecoming, and an aggressive movie producer in David Mamet's Speed the Plow. He played the role of Riff Raff in the Broadway revival of The Rocky Horror Show. Esparza is widely regarded for his versatility on stage.
His work on film includes Sidney Lumet's Find Me Guilty and Wes Craven's My Soul to Take. His television credits include roles on Medium and Pushing Daisies. As well, he has recorded the audio-book for Stephen King's Under the Dome and performs as a singer in concerts from coast to coast.
Company is the story of Bobby, a charming single man, who is unable to commit to a relationship and who may have questions about his own sexual identity. Raúl’s own romantic conflicts were far deeper than that of the character he played and had no easy fix; he was no longer truly married, but not entirely separated. Still, the parallels were striking.
Esparza's separation from his wife came after finally acknowledging that his attraction to men wasn't something transient. It's a journey he observed in his stage character as well: "I think the real thing that Bobby is going through is that he’s trying to grow up, and that means accepting things you can’t change, and it also means that in spite of all the messiness and failure you make a choice to love someone and live your life in the way that’s right for you. It’s messier than the pretty picture you painted for yourself. I had a romanticized idea of what it means to be an adult: all husbands and wives who love each other get to stay together forever – love is enough."
The following video is of his performance of Being Alive (Company’s Broadway revival) from the 2007 Tony Awards broadcast.
LEAP OF FAITH
Raúl Esparza plays con-artist Jonas Nightingale, who finds himself stranded in a backwater Kansas town, attempting to separate the locals from their cash by holding a revival meeting. The musical is based on the 1992 film that starred Steve Martin, and the familiar story line channels such classic dramas as Elmer Gantry, The Rainmaker (and its musical version 110 in the Shade) and The Music Man.
Here Esparza sings Step into the Light from Leap of Faith, which opens on Broadway April 26 (previews begin April 3):
Labels:
Actor,
Broadway,
Hollywood,
Raúl Esparza,
Singer,
Television
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