Role models of greatness.
Here you will discover the back stories of kings, titans of industry, stellar athletes, giants of the entertainment field, scientists, politicians, artists and heroes – all of them gay or bisexual men. If their lives can serve as role models to young men who have been bullied or taught to think less of themselves for their sexual orientation, all the better. The sexual orientation of those featured here did not stand in the way of their achievements.
Tuesday, November 27, 2012
Laurence Harvey
Film actor Laurence Harvey (1928-1973) was married three times, but he was actually a gay man who was trying to get the public off the scent of his true nature. His career stalled, and he did not become what anyone could call a major star. In spite of that, he got a lot of work, especially during the 1960s. Neither the public, critics nor friends said anything positive about his acting ability. He was in only one film that can be called a classic – "The Manchurian Candidate" (1962), with Frank Sinatra – but Harvey had little to do with its success.
George Jacobs, Frank Sinatra’s valet, wrote “Mr. S: My Life With Frank Sinatra,” a memoir in which he relates that Harvey often made passes at him while visiting Sinatra. Jacobs says that Sinatra was aware of Harvey's sexuality but did not mind, passing it off as a joke: “He has the handicaps of being a homo, a Jew, and a Polock*, so people should go easy on him.”
*Harvey was actually born to a Jewish family in Lithuania.
British actor John Fraser , author of “Close Up,” also wrote that Harvey was gay, pointing out that Harvey’s long-term partner was James Wolfe, his manager who "discovered" Harvey in the 1950s. Harvey’s marriages to and dalliances with women were usually with females about twice his age.
Laurence Harvey (photographed in 1954, at right) was a master of deception. While he maintained his entire life that his birth name was Laruschka Mischa Skikne, it was actually Zvi Mosheh Skikne. His Jewish family moved from Lithuania to South Africa when he was five years old, and while living in Johannesburg he took the name of Harry Skikne. While in his teens he served with the entertainment unit of the South African Army during WW II. After moving to London, he enrolled in the Royal Academy of Dramatic Art where he became known as "Larry." Dropping out of the academy, he began to perform on stage and in films, simultaneously adopting the stage name "Laurence Harvey." At last a name he liked.
Dame Judi Dench (currently appearing in Skyfall in yet another terrific turn as M) appeared on stage with Harvey in Shakespeare’s Henry V in 1959. She later talked of being bewildered at how Harvey never actually looked at her during his speeches. At the time, Joss Ackland was quoted as saying, “Americans seemed to think Harvey was some sort of great actor, which his colleagues certainly did not.” * Harvey was regularly dismissed by critics. In his posthumously published autobiography, “Knight Errant,” actor Robert Stephens described Harvey as "an appalling man and, even more unforgivably, an appalling actor.” He was often accused of being unprofessional, as many commented on the frustration that resulted from his chronic late arrival on the set. Harvey played out his career largely in undistinguished films, TV work and the occasional supporting role in a major production.
*Incredibly, Harvey received an Academy Award nomination for Best Actor for his leading role in "Room at the Top" (1959), a British film. Although he did not win, he was more or less type cast; he played a conniving, ruthless, heartless social-climber.
David Shipman wrote of Harvey in 1972: “Laurence Harvey's career should be an inspiration to all budding actors: he has demonstrated conclusively that it is possible to succeed without managing to evoke the least audience interest or sympathy - and to go on succeeding despite unanimous critical antipathy and overwhelming public apathy. His twenty year career of mainly unprofitable films is a curiosity of film history.”
Although the British-made film "Darling" (1965) was one of the earliest films to depict gay characters in a sympathetic light, the closets were bursting on the set. There was Harvey, of course, but also Dirk Bogarde, who although deeply closeted, was having an affair with director John Schlesinger. Bogarde, who carried on a 40-year relationship with his agent, Tony Forwood, invested considerable energy in trying to portray himself publicly as a heterosexual. John Schlesinger hoped that his friend, Roland Curram, might be inspired enough by his role in "Darling" to come out of the closet. Curram always insisted he was heterosexual and went on to marry and later sire two children. In 1985, on the occasion of his divorce and ultimate coming out to his family and friends, Curram stated, “Of course, John was right.”
Well, there you have it.
Update from your blogger: I am aghast at some of the comments from my blog readers. This is not a personal attack. I am not "very young" (in fact, I'm close to retirement). I am certainly not antisemitic (I have been employed by a synagogue for 26 years). Before I wrote this entry for my blog about influential gay and bisexual men, I had known Laurence Harvey only as a second-tier movie actor, and his name was on a list of gay and bisexual actors. There are many gay and bisexual film and stage actors on this blog. But when I started to do research on Harvey, I was astonished at how much negative information had been written about him by those who worked with him during his film career. If you re-read this entry, notice how those comments are referenced and credited to those who wrote or commented about Harvey's less than charming traits. I have never met the man, and I have seen only four of his films. I have no grudge against him. I just related what I found out in my research on the man and cited those who wrote or spoke about him.
A scene from "The Magic Christian" (1969) in which Harvey recites Hamlet's soliloquy while stripping before an astonished audience (I'm not making this up):
Oh, I nearly forgot. Scottish-born actor John Fraser called Harvey "a whore" in his 2006 memoir, mentioned above. A very heavy drinker (for good reason, it would appear), Harvey died from stomach cancer at the age of just forty-five. He is buried in Santa Barbara, California, next to his daughter (by his third wife), who died at the age of thirty-five.
Trivia: In 1963, Laurence Harvey built a house in Beverly Hills (designed by Buff & Hensman) that came to have an incredible “gay” pedigree. Musical comedy composer Jerry Herman went on to own it, followed by Max Mutchnick, the co-creator of the TV hit Will & Grace. The 9,200 sq. ft. house was next sold to Ellen Degeneres, for $29 million in 2007. It was purchased six months ago from Ms. Degeneres by Ryan Seacrest (no comment, and nothing implied, naturally, but I do hear some choking noises off in the distance).
Saturday, November 24, 2012
Film score composer Richard Robbins
Richard Robbins, the film score composer who collaborated for 25 years with director James Ivory and producer Ismail Merchant, died November 7 from Parkinson’s disease at age 71. At the time of his death he was at home in Rhinebeck, NY, attended by his long-term partner, painter Michael Schell.
I must say that I am somewhat spooked by his death. My readers likely don’t know that I usually work on three or four blog entries at a time, and after my earlier post about life partners Merchant and Ivory, I did some initial research on Richard Robbins, who provided outstanding scores for "A Room With a View," "Howards End" and "The Remains of the Day", among many others. Just today I began further Internet research for information about Mr. Robbins, in order to devote an entire entry to his musical contributions to film. You can imagine my shock when I found out he had died two weeks ago.
Robbins was nominated for an Oscar in 1992 for his score for “Howards End” and in 1993 for “The Remains of the Day”. He created the score for nearly every Merchant Ivory film from "The Europeans" in 1979 to "The White Countess" in 2005.
His creative partnership with Merchant and Ivory came about in 1976, when he was serving as acting director of the preparatory school at the Mannes College of Music (NYC). Robbins was the piano teacher of the youngest daughter of Ruth Prawer Jhabvala, the screenwriting collaborator of partners Merchant and Ivory. Richard and Ruth became friends, and she introduced him to Merchant and Ivory, who produced a documentary on the school’s young musicians. He served as Mr. Merchant’s assistant on Ismail’s next project, a film about ballroom dancers set at the Roseland dance hall in New York City. The creative quartet of Jhabvala, Merchant, Ivory and Robbins became close, and Robbins eventually became a composer, a move that outshone his original intention of a career as an educator.
The first score Robbins developed for a Merchant-Ivory film was for "The Europeans" (1979) a period drama based on the Henry James novel. He wrote a romantic, lush score for "Maurice," (1987), a film based on the E.M. Forster novel. That score won a top award at the Venice Film Festival, and Robbins considered it his favorite.
In 1994 Robbins collaborated with his partner, painter Michael Schell, on "Via Crucis" (Way of the Cross), a musical and visual collage representing the Stations of the Cross.
Richard “Dick” Robbins was born in Massachusetts in 1940 and studied music at the New England Conservatory in Boston, followed by a year of study in Vienna, Austria. His subsequent job at the Mannes College of Music in NYC brought him into the circle of Jhabvala, Merchant and Ivory, and the rest is cinematic history.
Here is a sampling of the score for “Maurice”, one of the great films about homosexual love and attraction:
I must say that I am somewhat spooked by his death. My readers likely don’t know that I usually work on three or four blog entries at a time, and after my earlier post about life partners Merchant and Ivory, I did some initial research on Richard Robbins, who provided outstanding scores for "A Room With a View," "Howards End" and "The Remains of the Day", among many others. Just today I began further Internet research for information about Mr. Robbins, in order to devote an entire entry to his musical contributions to film. You can imagine my shock when I found out he had died two weeks ago.
Robbins was nominated for an Oscar in 1992 for his score for “Howards End” and in 1993 for “The Remains of the Day”. He created the score for nearly every Merchant Ivory film from "The Europeans" in 1979 to "The White Countess" in 2005.
His creative partnership with Merchant and Ivory came about in 1976, when he was serving as acting director of the preparatory school at the Mannes College of Music (NYC). Robbins was the piano teacher of the youngest daughter of Ruth Prawer Jhabvala, the screenwriting collaborator of partners Merchant and Ivory. Richard and Ruth became friends, and she introduced him to Merchant and Ivory, who produced a documentary on the school’s young musicians. He served as Mr. Merchant’s assistant on Ismail’s next project, a film about ballroom dancers set at the Roseland dance hall in New York City. The creative quartet of Jhabvala, Merchant, Ivory and Robbins became close, and Robbins eventually became a composer, a move that outshone his original intention of a career as an educator.
The first score Robbins developed for a Merchant-Ivory film was for "The Europeans" (1979) a period drama based on the Henry James novel. He wrote a romantic, lush score for "Maurice," (1987), a film based on the E.M. Forster novel. That score won a top award at the Venice Film Festival, and Robbins considered it his favorite.
In 1994 Robbins collaborated with his partner, painter Michael Schell, on "Via Crucis" (Way of the Cross), a musical and visual collage representing the Stations of the Cross.
Richard “Dick” Robbins was born in Massachusetts in 1940 and studied music at the New England Conservatory in Boston, followed by a year of study in Vienna, Austria. His subsequent job at the Mannes College of Music in NYC brought him into the circle of Jhabvala, Merchant and Ivory, and the rest is cinematic history.
Here is a sampling of the score for “Maurice”, one of the great films about homosexual love and attraction:
Wednesday, November 21, 2012
Joe Saunders and David Richardson
On Tuesday, November 20 (2012), Florida representatives Joe Saunders and David Richardson became the first openly gay members to be sworn into Florida’s state legislature. Richardson represents District 113 (Miami) and Saunders District 49 (Orlando). You should not be shocked to learn that both are Democrats.
Saunders and Richardson took their oaths with more than 50 state legislators in Tallahassee. Until now, Florida was the largest state in the union to have never elected an openly gay candidate to its state legislature. Richardson, a CPA and former auditor for the U.S. Department of Defense, had never before run for public office.
29-year-old Saunders was accompanied in the legislative chambers by his partner, Donald Rupe (on right in photo, below). "Standing there with him was a dream realized and a memory I'll have for the rest of my life," Saunders told the Orlando Sentinel.
Michael Kenny, Executive Director of Florida Together, a statewide LGBT advocacy coalition commented yesterday, "For the first time in the history of our state, we have openly gay State House Representatives. David Richardson will not only be representing the residents of State House District 113 in Miami Dade County - he will be a voice for all of Florida's LGBT residents, (and) congratulations to Joe Saunders on his victory as State Representative in District 49. There is no doubt that the people of Florida will be well served by Joe Saunders being in the legislature."
"Before you can participate in the conversation, change hearts and minds, and impact policy, you must first have a seat at the table. Until today, LGBT Floridians were shouting from the spectators section."
Florida's statehouse in Tallahassee:
Saunders and Richardson took their oaths with more than 50 state legislators in Tallahassee. Until now, Florida was the largest state in the union to have never elected an openly gay candidate to its state legislature. Richardson, a CPA and former auditor for the U.S. Department of Defense, had never before run for public office.
29-year-old Saunders was accompanied in the legislative chambers by his partner, Donald Rupe (on right in photo, below). "Standing there with him was a dream realized and a memory I'll have for the rest of my life," Saunders told the Orlando Sentinel.
Michael Kenny, Executive Director of Florida Together, a statewide LGBT advocacy coalition commented yesterday, "For the first time in the history of our state, we have openly gay State House Representatives. David Richardson will not only be representing the residents of State House District 113 in Miami Dade County - he will be a voice for all of Florida's LGBT residents, (and) congratulations to Joe Saunders on his victory as State Representative in District 49. There is no doubt that the people of Florida will be well served by Joe Saunders being in the legislature."
"Before you can participate in the conversation, change hearts and minds, and impact policy, you must first have a seat at the table. Until today, LGBT Floridians were shouting from the spectators section."
Florida's statehouse in Tallahassee:
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